Tuesday, September 8, 2009

Hiroshima Mon Amour

Hiroshima Mon Amour
*****/5
Alain Resnais

Clearly this film influenced Breathless in the editing and other aspects, although they are two vastly different movies. As Stu put it, the French "get away with murder" when it comes to dialogue. This film amounted to a conversation that was circular and poetic, splashed with images that support or contrast the statements. It gave me such a strange feeling, and I think that was intended. The filmmaker bombards you with opinion and at the same time says nothing to prove one reality over another. At the end, you feel a crushing realization that works as deeply whether you take it metaphorically or not.

I was speaking with Maher this afternoon and was laying out some of my feelings towards films, what I appreciate in contrast to what turns me off. I came to some sort of point about the difference between films that affect your mind, your heart, and your gut. I think I tend to put the mind last when prioritizing these things for myself. Perhaps words affect the mind, images affect the heart, and connotations affect the gut.
Of course this made me think of Werner Herzog, who is probably one of the best filmmakers ever, and certainly one of the best working today. Herzog's films affect your gut first with situations and deep, deep emotions. Even if you watched his films on mute, you feel them in your gut. From your gut they work up and grab your heart. And from there they move to your brain, which tries to make sense of your feelings.

Hiroshima Mon Amour works along these lines as well. Even as dialogue heavy as it is, the story is told through images. The dialogue is almost like a soundtrack for connotations. Less than leaning on for story purposes, the French use voiceover as sort of a mood setter, to capture your attention by insisting on too much information or statements that are vague and poetic. But they never distract, which American voiceovers do. Perhaps French voiceovers are less expository than they seem.

All in all, I think I prefer Hiroshima Mon Amour's ambitions to that of Breathless, but perhaps this will change with time.

Recommendations:
Breathless

2 comments:

  1. Sounds like an awesome movie. I added it to the top of Netflicks.

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  2. Yeah the line between expository voiceover and a voiceover that enhances images is so thin... yet the difference between them is so vast. I hope to watch this movie soon. I saw Last Year at the Marienbad about 3 years ago and it was one of the most mind-altering movies I've ever seen. Now that I think about it, I remember very few details from it except that the voiceovers combined with the shots of empty interiors was extremely powerful. I should probably watch more Resnais...

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